Thirty Nine episodes down, ‘Sher’ has finally wrapped up. What started as a fierce tale of power soon turned into an emotional rollercoaster packed with surprises, showdowns, and a few ‘wait, what just happened?’ moments. Now that our roaring hero and equally dramatic villains have taken their final bows, it’s time to look back and decide: was ‘Sher’ truly a lionhearted saga, or just a well-dressed house cat pretending to roar?
Quick Recap
‘Sher’ is a story of a long-standing rivalry between the families of Kaka Saein (Salman Shahid) and Shah Zaman (Yousaf Bashir Qureshi). To make things worse, Fahad (Faizan Sheikh) tricks Dr. Fajar (Sarah Khan) into falling for him. The latter eventually runs away on her wedding day. Sher Zaman (Danish Taimoor) steps in, saves Fajar from his own cousin, and sends her back home safely. But the real danger is inside the house Shah Zaman’s younger brother, Badar Zaman (Ali Tahir), wants all the property for himself. With the help of his sons, Fahad and Ahad (Taqi Ahmed), he plans an accident in which Shah Zaman dies. Sher survives but is critically ill and is further taken to a rehabilitation centre. Later, Dr. Fajar joins the same rehab and looks after him. With time, Sher Zaman recovers fully and comes back to take revenge for his father’s death.
Zanjabeel’s Magic Falls A Little Short
Writer Zanjabeel Asim Shah presents an entertaining plot packed with all the elements of a crowd-pleaser. The story is engaging, and her writing keeps the audience hooked for the most part. The suspense remains strong through many episodes, which is a big plus for viewers who enjoy thrill and drama. The dialogues are well-written and play a major role in lifting the overall impact.
However, the writing starts to weaken as the drama moves toward its later episodes. While the plot begins strong, it feels like the focus shifts more towards action and revenge, leaving less room for proper character growth. The message of justice and loyalty is clear, but the emotional depth could have been explored better.
One major drawback is the treatment of female characters. Despite having seasoned actors like Nadia Afghan, Atiqa Odho, and Sunita Marshall, their roles feel sidelined. They are either used as fillers or given very little influence over the story. Instead of being strong, opinionated women who could shape the narrative, they mostly react to situations rather than drive them. With such a powerful cast, the drama could have delivered far more impactful and memorable female portrayals.
Mixed Feelings
‘Sher’ starts off strong. The first ten episodes are sharp and tightly paced. Director Aehsun Talish deserves credit for managing such a large-scale project with control and confidence. His direction keeps viewers hooked, and the storytelling pulls you right into the world he creates. The rising tension keeps you guessing, and the soulful OSTs add even more impact.
However, the narrative loses its strength later on. Right after Sher Zaman is attacked, the drama takes a noticeable dip. The rehabilitation track stretches far too long and breaks the momentum completely. Many of those scenes feel repetitive and could have been easily shortened. In fact, the drama could have wrapped up well before reaching thirty-nine episodes.
Sher’s revenge also lacks conviction. It’s unclear why he would trap Ahad in a drug case when he already knows his true nature. Fahad’s punishment is even more disappointing after everything he did, he’s simply asked to leave the house. On top of that, Taj Bibi’s marriage angle with the doctor feels unnecessary and forced, adding nothing valuable to the story.
The Performances
‘Sher’ shines in the performance department. The role seems tailor-made for Danish Taimoor, and he delivers exactly what was expected. He owns the character completely his style, screen presence, and acting range all come together to make his performance stand out. Sarah Khan looks stunning and performs well too, though her track could have used more emotional depth and stronger writing. Faizan Shaikh is the biggest surprise package. From his very first scene, he nails the villainous tone perfectly and leaves a lasting impression.
The supporting cast is massive, and most actors make their mark. Be it a positive or negative character, Ali Tahir is brilliant as the conniving Badar Zaman, showcasing his talent to the fullest. Arjumand Rahim is another pleasant surprise; her role wasn’t easy, but she carries it effortlessly.
On the other hand, Nadia Afghan, known for strong roles, is mostly shown weeping here. The same goes for Sunita Marshall. Even Atiqa Odho is reduced to a very standard mother role with little to contribute. Munazzah Arif’s character is comparatively better written, and she delivers a decent performance.
Nabeel Zafar’s track is fine but feels stretched and adds to the drama’s length. Taqi Ahmed performs well, Amna Malik is adequate, and Shizza Khan is decent in her short role. Yousaf Bashir Qureshi is convincing despite limited screen time, while veteran Salman Shahid, as expected, and delivers a powerful act.
Summing it up
‘Sher’ turned out to be a decent entertainer overall. Despite its flaws, it offered a complete package of drama, suspense, and strong performances. With tighter writing and a shorter runtime, it could easily have been a flawless hit.
