Thirty-two episodes later, ‘Case No. 9’ has finally concluded its remarkable run. Hats off to the entire team for delivering a show that ticked every box i.e. entertainment, thought-provoking, and consistently gripping from start to finish. We would seriously question the credibility of any award show if ‘Case No. 9’ and Saba Qamar don’t walk away with the awards for Best Drama and Best Actress in the next award season. Rarely does a supporting cast match the lead in power and impact, yet this was one such project. Despite a few minor bumps, ‘Case No. 9’ kept viewers hooked until the very last moment.
The Finale Episodes
Bukhari (Noor-ul-Hassan) and Kamran (Faysal Quraishi) continue to distort facts, misleading the court with fabricated allegations against Sehar Moazzam (Saba Qamar). Rohit (Junaid Khan) finally takes a stand, wholeheartedly supporting Sehar, yet the tide of justice still refuses to turn in her favor. Kamran’s orchestrated social media campaign and manipulative interviews temporarily shift public opinion, further complicating the case. However, the narrative changes when journalist Shahzeb Khanzada takes up Sehar’s case, confronting both the victim and the perpetrator face-to-face on prime-time television. Meanwhile, Kiran (Rushna Khan) finds the missing CCTV footage and discovers the truth. Choosing integrity over silence, she forwards the evidence to the show, ultimately exposing Kamran and bringing the truth to light.
‘Case No. 9′: A Turning Point
‘Case No. 9’ emerged as a game changer on Pakistani television by boldly addressing sexual violence and openly using the word “rape”, helping normalize a long-suppressed conversation. The drama challenged victim-blaming while highlighting how social media can amplify both truth and manipulation. What truly set it apart was its tightly written narrative, every issue raised was revisited and resolved, leaving no loopholes or unanswered questions. The writer maintained a sharp pace, ensuring the story never lost focus.
Complementing this, the director delivered a controlled and impactful execution, keeping performances, storytelling, and messaging perfectly in sync. Unlike typical family dramas, ‘Case No. 9’ centered on courtroom battles, societal injustice, and real-life trauma, portraying events in a raw, hard-hitting manner that made it feel incredibly authentic. Its performances, particularly of the lead, brought emotional depth rarely seen on prime-time TV, making it both powerful and purposeful while redefining what mainstream television can achieve.
Cast In Character
Saba Qamar is the fever of the season, on the verge of scoring a hat trick of hits on TV with ‘Paamal’, ‘Case No. 9’, and the ongoing ‘Maumma’. She is at a stage in her career where she knows exactly what will work. She is the soul of ‘Case No. 9’, breathing life into (Sehar Moazzam) and portraying her pain and agony with remarkable depth. In several sequences, she communicates volumes through just her eyes and silences.
Faysal Quraishi, on the other hand, is also the lifeline of the enterprise. He proves yet again that he’s an all-rounder, effortlessly embodying any character. Aamina Sheikh took charge later in the series, delivering flawless monologues in episodes 17 and 18 that were truly captivating. As lawyer (Beenish Ali), she was both: convincing and likable. The best was saved for Junaid Khan as (Rohit), who was in top form when he finally arrived in court. ‘Case No. 9’ is sure to open new avenues for him with more meaty roles.
Mirza Gohar Rasheed’s transformation into a corrupt police officer was chilling and effective. This series also marked a strong comeback for Naveen Waqar, whose poise and grace, as Manisha, were simply fantastic. Not to be overlooked, the chameleon Noor-ul-Hassan held his own, matching the protagonists in every scene. The supporting cast, including Hina Bayat, Shahnawaz Zaidi, Ahmed Randhawa, and Kamran Gillani, added considerable weight to the narrative.
The Minor Bumps
Touted as a major courtroom drama, it would have been even more impactful if the ending had been played out in the court rather than on television; the effect would have been three times stronger. Unfortunately, ‘Case No. 9’ occasionally fell victim to overstretching. The story could easily have concluded within 28 episodes. Certain details, like Kamran’s domestic staff call logs, were repeated multiple times, which diluted their impact. One also wished that SP Zohaib’s character had been given more depth and had taken stronger, more direct action against Kamran. The ending felt somewhat convenient, with everything falling into place a little too easily.
Summing it up
‘Case No. 9’ redefined Pakistani television with its fearless storytelling, strong performances and skillful direction. Despite minor pacing flaws, the drama balanced entertainment with awareness, leaving a lasting impact and setting a new benchmark for purposeful, thought-provoking storytelling.
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